Stephane Fontaine’s camera gives us a gorgeous look, and perhaps a writer’s commentary about two distinctly different worlds, as the family travels out of the verdant silence into the commercial chaos of McDonald’s America, J.P. Devine writes.

Woody Allen’s latest romance perfectly captures old Hollywood’s color and charm, writes J.P. Devine.

Prepare ourselves to enjoy corruption, chicanery, espionage and tomfoolery, JP Devine writes.

The ending ain’t perfect, but neither is life, for humans or horses, J.P. Devine says.

Audiard’s actors, each of whom seem to have been plucked from the war zones and streets of Sri Lanka, are amazing, according to J.P. Devine.